While the band of cinéphiles that pioneered the French New Wave found immense artistic value in the auteur cinema of the likes of Howard Hawks and Nicholas Ray, Kassovitz visibly borrows and pays homage to tropes of New Hollywood cinema-most notably Martin Scorsese’s Mean Streets-and contemporary hip-hop culture of 1970s and 1980s America. Interestingly, both La nouvelle vague and La haine drew inspiration from the same source American cinema. Regarding the state of French cinema at the time of the film’s release, director Mathieu Kassovitz remarked on the commentary track of La haine that the that the once-innovative French New Wave had become harmful to the evolution of French cinema in the 1980s. American Influence on the Film and Culture Here are five elaborations on why La haine is the most important film in modern French cinema:ġ.
La haine remains a renowned and significant example of modern French film, primarily for two related reasons: Firstly because it manages to perfectly capture the state of contemporary French cinema, whilst secondly expertly portraying the state of contemporary French society.įurthermore, La haine also opened filmgoers’ eyes to a France unknown to many cinéphiles the world over while addressing social injustices and cunningly reversing age-old damaging stereotypes.įinally, upon its release the film provided a new lease on life for French filmmakers with its fresh new aesthetic and the urgent pertinence of its subject matter. With the title derived from the phrase in the film: “Hate breeds hated” (“La haine attire la haine”), La haine is not only shockingly relevant in modern society, but in modern cinema as well.
Vinz la haine movie#
You can see why this movie struck a chord with movie-goers and politicians alike, reflecting on the prejudice faced by migrant communities that are in France and the rest of Europe even in the present day.With the heritage of 1990s riots opposing police brutality and the inequality between race and class alike still very much alive, perhaps it is shameful that the controversial issues raised in La haine remain as relevant as they are. Vinz wants to carry out destructive acts in order to prove a point while Hubert tries to defuse all of the situations.īy the end of the movie viewers a presented with a tragic conclusion highlighting the cycle of racial division and police brutality.Īs Hubert says, “La haine attire la haine” which means hatred breeds hatred.
Vinz la haine series#
In the events that unveil throughout as the group spend a night in central Paris, Kassovitz demonstrates a series of violent situations that pose moral dilemmas. The lack of a colour palette adds to the seriousness of the topic and, looking back at it now, was the right decision from the filmmakers. The characters come from immigrant families living in the commune of Chanteloup-les-Vignes at the outskirts of Paris.Ĭinematographer Pierre Aïm does an effective job with the visuals as the movie is in black and white, which to me symbolises the repetitive monotony of injustices faced by people of colour. Hubert is a boxer whose gymnasium was burnt down during the riots and is looking to leave his district for a better life while Saïd plays the balancing scale between his two friends. Vinz is the angry one looking to avenge Abdel and shares a hatred towards police officers. Kassovitz puts the trio in different scenarios throughout the movie which progressively unwraps the elements of hatred, racial division and social disparity present in their lives. With a 98-minute runtime, the movie is set on one specific day.
The story follows three young men who are of Jewish (Vinz), African (Hubert) and Arab (Saïd) descent and are friends of the recently brutalised Abdel.
It is said that the director was inspired by several cases of police brutality in France during the late 80s and early 90s and the response to such injustices by minorities living in the banlieues of Paris. The film opens with a montage of footage from various riots following the hospitalisation of a young man named Abdel Ichacha. Mathieu Kassovitz’s La Haine is a gritty social drama set in Paris covering topics that are still relevant almost 25-years later.
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